His advice can be boiled down to a few key points: Pejman is the founder of Reflective, a product that won Product Hunt’s #1 Product of the Day award. We reached out to our friend Pejman Pour-Moezzi. Get advice from past Product of the Day makers We also knew that we had a lot more to learn. Once we understood this, we built a launch strategy to get upvotes from as many engaged Product Hunt users as possible. That’s because Upvotes from engaged Product Hunt users carry more weight than ones from accounts that are new or that have low activity. The second place product has more votes than the first place product. Upvotes determine your position on Product Hunt’s homepage.ĭid you notice anything weird about the picture above? If a Product Hunt visitor likes your product, they “upvote” it. If you only remember one thing from this post, remember that not all upvotes are counted equally by Product Hunt’s algorithm. The secret to a successful launch on Product Hunt A handful of them are launched by people who know what it takes to succeed on Product Hunt. On any given day, your product competes against dozens of other products for visibility. Launch on Product Hunt without advanced planning, and your success will be determined largely by luck. If you achieve #1 Product of the day, you might be included in Product Hunt’s newsletter which is read by 420,000 subscribers. When you launch your product, a percentage of that traffic will turn into users of your product. “Makers” of new products launch on Product Hunt because 4 million people interested in new products visit the website every month ( source). Product Hunt is a place where people share and discover new products. You might feel intimidated if you’re preparing to launch your startup on Product Hunt, but have no fear!Īfter reading this article, you’ll know the secret to success on Product Hunt, walk away with a proven launch strategy, see benchmark metrics from our launch, and have an actionable launch checklist that we used to reach the top of Product Hunt’s leaderboard. Our AI-powered research assistant won #1 Product of the Day, #1 Product of the Week, #1 Product of the Month, and was featured in multiple Product Hunt newsletters. I had never managed to crack the Top 5 products of the day, until we launched Heyday in April 2022. I’ve launched multiple products on Product Hunt.
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It is easy to see that this sprintf returns the definition of an arrow between new_x, f(new_x), and x3, f(x3). In the last line, we concatenate a string called ARROW, and another one, produced by another sprintf. When adding to PLOT, we simply use the sprintf function. In the next step, based on the 6 input arguments, calculates the three parameters of our parabola, and in the next line, adds the plot of this parabola to a string called PLOT. Then, it defines new_x, which we have already seen in the first example. PLOT = PLOT.sprintf(", cut(x,%f,%f)*(%f*x*x %f*x %f) with lines lt -1", x1, x3, a, b, c), \ĪRROW.sprintf("set arrow from %f, %f to %f,%f as 1 ", new_x, a*new_x*new_x b*new_x c, x3, 圓))Īnd try to understand what it does! For a start, it takes 6 arguments, which are nothing but the coordinates of the end points, and the control point. What we will do is to define a "function" that sets our arrows, and, as the supplementary instruction, augments the plot command accordingly. Set style arrow 1 head filled size screen 0.03, 15, 45 lt -1Ĭut(x,x1,x3) = ((x >= x1 Check the pH in the soil to make sure it’s roughly between 5.5 to 7.0 before you plant it.
Both elegant and nostalgic, the space is covered in rich wood and leather accents. The second establishment in Chicago to obtain a liquor license after Prohibition, Coq d’Or is nestled inside the historic Drake Hotel. In the summer, grab a seat on the Beacon Tavern‘s patio to take in the area’s bustling energy. Expect rustic American dishes, a local craft beer selection, and an approachable wine list in a casually upscale setting. This sleek tavern is located on Chicago’s iconic riverfront, just through the Wrigley Building walkway. Try the famous charcuterie boards and pig-based dishes paired with a glass from their excellent wine selection. A long-time staple on The Magnificent Mile, the recently revamped space is the perfect setting to gather with friends over super-shareable plates. It’s all about cheese, swine, and wine at The Purple Pig. Try “The Malnati” topped with Lou’s sausage and extra cheese piled high on their signature butter crust. 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The world’s largest Starbucks is an ode to all things coffee, with four floors of highly caffeinated nirvana. Here’s a roundup of just a few of our favorite Magnificent Mile restaurants. But it’s also an amazing dining destination, with something for everyone in your group. And far North Side neighborhoods Andersonville, Lincoln Square and Uptown boast Michelin starred spots such as 42 Grams and Elizabeth.The Magnificent Mile is Chicago’s most iconic shopping district, famous for its never-ending blocks of high-end retail, designer showrooms, and flagship locations for famous brands. Hit up Logan Square for the likes of contemporary American gems like Giant and Jam. On the South Side, it's Bronzeville and Pilsen for Southern-inspired fare and chef-driven delights. The Gold Coast, Lincoln Park, River North and West Loop neighborhoods are powerhouses when it comes to dining in Chicago, but some of the fastest-growing areas are beyond the downtown scene. And, of course, every notable chef from the likes of Grant Achatz, Rick Bayless, Curtis Duffy, Stephanie Izard and Fabio Viviani are in the mix. Modern cocktails from talented mixologists like Lost Lake's Paul McGee? Get your bucket list ready. Looking for the quintessential Chicago steakhouse to impress clients? Romantic eatery in the famed Loop downtown district? Yep, it's here. On, expect us to cover go-to classics as well as buzzed-about newcomers. Explore Beyond Downtown Chicago Restaurants: Bucktown, Logan Square, etc.Ībsolute perfection, that's what. Chief justices of various supreme courts, with support from private foundations, have established task forces to probe the issue further. In 2016, a committee of the Conference of Chief Justices, a national organization of state supreme court heads, issued a report recommending that courts enact rules to provide a more fair and just civil legal system, especially with respect to debt collection cases. The amount of these claims is almost always less than $10,000 and frequently under $5,000, and typically involves unpaid medical bills, credit card balances, auto loans, student debt, and other types of consumer credit, excluding housing (mortgage or rent).įor more than a decade, the American Bar Association and legal advocacy organizations such as the Legal Services Corporation and the National Legal Aid and Defenders Association have sounded alarms about worrisome trends underway in the civil legal system. In the typical debt claim case, a business-often a company that buys delinquent debt from the original creditor-sues an individual to collect on a debt. The most common type of such business-to-consumer lawsuits is debt claims, also called consumer debt and debt collection lawsuits. 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Invisible Air: Barrier of the Wind King, which compresses and gyrates the air around Saber's blade, allowing her to induce an illusion of ethereality, making it hard for opponents to judge her strikes, and release the air in the form of an intense gust. She can use "Mana Burst", which transfers magical energy into her weapon and body, though the weapon must have strong divine protection to withstand the ability.Įxcalibur: Sword of Promised Victory, a celestial sword constructed by the world from the collective wishes of mankind and fueled through a conversion of Mana into photoelectric energy. She has the ability to cancel any magic below A-rank, instinct that comes close to precognition, and high charisma, which she can use to command an army. Saber is frustrated by Shirō's "protective" tendencies, believing his erratic and reckless behavior will jeopardize her chances of winning the Holy Grail War. 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These guidelines may be revised at any time without prior notice. Since launch, UMP45 has always been regarded as the ideal maintank SMG when it comes to general content. Comments may be anonymously quoted for promotional purposes.Include information about shipping, delivery, customs issues, or customer service experiences.Attack other users or become overly argumentative.
Any golfer knows that while beginning players work to eliminate troublesome hook/slice shots, advanced players use the manipulation of those shots to their advantage. Check out our video below, titled "Mastery of the slice." Where the game is a bit of a pain in the ass, however, is in its hook/slice manipulation. It's a nice touch, and it makes Tiger Woods 08 feel like true golf. Along those same lines, swing speed is far more of a factor this year, as you'll need to master not only how well you time your shots, but how powerful the snap of your swing can deliver. Rather than having the player auto-swing once you begin to move (as found in the standard control in 07) this year's effort plays more like last year's "advanced" setting, having the club actually attempt to track you in a 1:1 manner. As another solid upgrade to last year's effort we're finding that swing tempo and power are factored into the equation far more. When you hit straight, Tiger Woods 08 knows it, and rewards you for it. For starters, the hook and slice manipulation has been changed for the better - at least a little bit - and you'll no longer worry about hitting straight shots only to have the ball rocket to the right in a gigantic slice, splashing into a pond or hitting "out of bounds" sections. Tiger Woods 08 uses better swing tracking, has more in-depth tutorials, and is an all-around better game of golf than it was last year, but it's still plagued with a few Wii-mote issues, and they really hurt the experience. After putting about three hours of solid play time into Tiger Woods 08 we've come to a very similar initial impression as we did with the last game it works, but it's not all there. Terms such as orchestration, scoring, and arranging refer to the aspect of composition that involves the purposeful treatment of tone color. The term tone color suggests an analogy with the visual arts, and indeed the exploration, manipulation, and combination of instrumental and vocal sound qualities by performers and composers may be compared to the use of color by painters. Similarly, the individual physiology of each person’s vocal cords produces a unique speaking and singing voice. The prominence of overtones in musical instruments depends on such factors as the materials from which they are made, their design, and how their sound is produced. Though these higher frequencies, or overtones, are not usually perceived as pitches in themselves, their relative presence or absence determines the characteristic quality of a particular voice or instrument. In addition to the fundamental frequency heard as a sound’s pitch, musical tones contain patterns of higher frequencies. Tone color is the result of an acoustic phenomenon known as overtones. Tone color, or timbre, is the distinctive quality of a voice or instrument. For example, a common texture in jazz entails some instruments whose interaction would be described as polyphonic and others whose function it is to accompany them. These classifications are often useful in describing individual works and repertory groups, but in practice many works and styles do not fall neatly into one category. Another principal textural category is homophony, one dominant melody with accompaniment. The simultaneous combination of two or more independent melodies is classified as polyphony and of two or more simultaneous rhythmic lines as polyrhythm. Monophony becomes heterophony when spontaneous variations of two or more performers produce different versions of the same melody at the same time. A texture of a single, unaccompanied melodic line is called monophony from the Greek “monos” (single, alone) and “phone” (sound). Musical texture also refers to how many different layers of sound are heard at once, to whether these layers have a primarily melodic or an accompaniment function, and to how the layers relate to each other. Like fabric, music has a texture, which may be dense or transparent, thick or thin, heavy or light. Another important scale type particularly associated with music from China, Japan, Korea, and other Asian cultures is pentatonic, a five-note scale comprised of three whole steps and two intervals of a step and a half. Major and minor are two commonly encountered modes, but others are used in folk music, in Western European music before 1700, and in jazz. The position of the whole and half steps in the ascending ladder of tones determines the mode of the scale. Most Western European music is based on diatonic scales-seven-tone scales comprised of five “whole steps” (moderate-size intervals) and two “half steps” (small intervals). Each element of a scale is called a “step” and the distance between steps is called an interval. The conventional approach to classifying pitch material is to construct a scale, an arrangement of the pitch material of a piece of music in order from low to high (and sometimes from high to low as well). And just as the Fahrenheit and Celsius systems use different sized increments to measure temperature, different musical cultures have evolved distinctive pitch systems. All theoretical systems of music organize this pitch continuum into successions of discrete steps analogous to the degrees on a thermometer. Pitch, like temperature, is a sliding scale of infinite gradations. They are the frequency, amplitude, wave form and duration, or in musical terms, pitch, dynamic, timbre (tone color), and duration. Since sound is a wave, it has all of the properties attributed to any wave, and these attributes are the four elements that define any and all sounds. What we perceive as sound are vibrations (sound waves) traveling through a medium (usually air) that are captured by the ear and converted into electrochemical signals that are sent to the brain to be processed. Elements of Soundįrom the perspective of a musician, anything that is capable of producing sound is a potential instrument for musical exploitation. Some of the terminology, concepts, and vocabulary used by musicians in writing and talking about the many types of music you will be studying are discussed in this section on elements of sound and music. Written texts, pictorial representations, and folklore sources provide evidence that people from all over the globe and from the beginnings of recorded history have created and performed music for religious rituals, civil ceremonies, social functions, story telling, and self-expression. Making music has been an activity of human beings, both as individuals and with others, for thousands of years. |